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ÇÁ·ÎÁ§ÅÍ & Ȩ½Ã¾îÅÍ
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PA À½Çâ±â±â
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Çϸð´Ï ½ºÆä¼È
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AVÇϸð´Ï YAMAHA ¿Àµð¿À¹Í¼ MG24 / 14FX ¿Àµð¿À¹Í¼ ¡æ ºöÇÁ·ÎÁ§ÅÍ Àü¹®¸ô- ½ºÅ©¸°°ñÇÁÀå ÇÁ·ÎÁ§ÅÍ¹× Çб³¹×Çпø¿ëÇÁ·ÎÁ§ÅÍ È¸»ç¾÷¹«¿ëÇÁ·ÎÁ§ÅÍ
YAMAHA ¿Àµð¿À¹Í¼ MG24 / 14FX PAÀ½Çâ±â±â ¿Àµð¿À¹Í¼ YAMAHA ¿Àµð¿À¹Í¼ MG24 / 14FX PAÀ½Çâ±â±â ¿Àµð¿À¹Í¼
YAMAHA ¿Àµð¿À¹Í¼ MG24 / 14FX PAÀ½Çâ±â±â ¿Àµð¿À¹Í¼
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AVÇϸð´Ï ¸¦ ÀÌ¿ëÇØ ÁֽŠ°í°´´Ô²² Áø½ÉÀ¸·Î °¨»çµå¸³´Ï´Ù
ÇѵÎǬ¥¸® »ç´Â°Íµµ ¾Æ´Ñµ¥ .¾î·Á¿ö ¸¶½Ê½Ã¿ä .. ±Ã±ÝÇÑÁ¡ ÀÖÀ¸½Ã¸é Áöü¾øÀÌ ¹®ÀÇ ÁÖ¼¼¿ä.
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070-8750-9753 02-704-9753 |
010-2365-9753 |
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MG24/14FX¿Í MG32/14FX´Â º»°ÝÀûÀÎ SRÄܼÖÀÔ´Ï´Ù. °¢°¢ 24 ÀԷ ä³Î, 32 ÀԷ ä³ÎÀ» °¡Áö°í ÀÖÀ¸¸ç º¸Äà ¸¶ÀÌÅ©, ¾Ç±â¿ë ¸¶ÀÌÅ©, ½ºÅ×·¹¿À Å°º¸µå, ´ÙÀÌ·ºÆ® ¹Ú½º Ãâ·Â, µå·³¿ë ¸¶ÀÌÅ© µî ¸¹Àº ÀÔ·Â ¼Ò½º¸¦ »ç¿ëÇÏ´Â ½ºÅ×ÀÌÁö¿¡µµ ´ëÀÀ °¡´ÉÇÕ´Ï´Ù. ¶Ç, Á¤Æò ÀÖ´Â ¾ß¸¶ÇÏÀÇ SPX µðÁöÅÐ ¸ÖƼ ÀÌÆåÅ͸¦ 2 °èÅë žÀç. ¿ÜºÎ ÀÌÆåÅÍ ¾øÀÌ ÃÖ°íÀÇ À½Áú·Î ÀÌÆåÆ® 󸮰¡ °¡´ÉÇÕ´Ï´Ù. ÇÑÃþ ´õ dzºÎÇÑ AUX »÷µå³ª ±×·ì ¹ö½º¸¦ »ç¿ëÇÏ¿© ÀÚÀ¯ÀÚÀç·Î ¹Í½ÌÀ» ÇÒ ¼ö ÀÖ½À´Ï´Ù.
¡á SR³ª ¼³ºñ À½Çâ¿¡ ÃÖÀûÀÎ ±â´ÉÀÌ Ãæ½ÇÇÑ ¹Í½Ì ÄܼÖ
¡á Ãæ½ÇÇÑ ÀԷ ä³Î·Î ¶óÀ̺ê SR¿ë±îÁö ´ëÀÀ
¡á ´Ùä·Î¿î ÀÔ·Â ´ÜÀÚ¸¦ ÀåÂø
¡á °íÁ¤¹ÐµµÀÇ ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ
¡á ÆÒÅÒ Àü¿ø
¡á ÀμƮ I/O
¡á ÀÚÀ¯ÀÚÀç·Î ÀÌÄ÷¶óÀÌ¡À» °¡´ÉÇÏ°Ô ÇÏ´Â MID ½©ºù 3 ¹êµå EQ£¦HPF(MONO)/
4 ¹êµå EQ(ST)
MASTER SECTION
¡á Áý´ÜÈ°¡ °¡´ÉÇÑ 14 ¸ÖƼ ¹ö½º Æí¼º
¡á Ãæ½ÇÇÑ »÷µå¿Í ¸®ÅÏ
¡á dzºÎÇÑ Ãâ·Â ´ÜÀÚ¸¦ ÀåÂø
¡á ½ºÅ×·¹¿À/¸ð³ë Ãâ·Â¿¡ XLR Ä¿³ØÅ͸¦ äÅÃ
¡á ¹Ú·Â ÀÖ´Â SR½Ã½ºÅÛÀÇ ±¸ÃàÀÌ °¡´ÉÇÑ ¸ð³ë Ãâ·Â¿ë LPF
¡á ÀÚ¼¼ÇÏ°Ô ·¹º§À» ¸ð´ÏÅÍÇÒ ¼ö ÀÖ´Â 12Æ÷ÀÎÆ® ·¹º§ ¹ÌÅÍ
EASE OF USE
¡á 2 °èÅëÀÇ SPX µðÁöÅÐ ÀÌÆåÆ®¸¦ Ç¥ÁØ ÀåÂø
¡á ½±°Ô ÆľÇÇÒ ¼ö ÀÖ´Â ¶Ù¾î³ ½ºÀ§Ä¡
¡á ¶óÀ̺ê SR¿¡¼ ºÒ°¡°áÇÑ ÅäÅ© ¹é ½Ã½ºÅÛ
¡á ¶Ù¾î³ Á¶ÀÛ¼º°ú ³ôÀº ½Å·Ú¼º
¡á ¶óÀ̺ê SR¿¡±îÁö ´ëÀÀ ÇÑ ÃæºÐÇÑ ÀÎDz ä³Î
¡á dzºÎÇÑ Ã¤³Î Æã¼Ç°ú öÀúÇÑ °íÀ½Áú ¼³°è
¡á ÇÕ°è 14 BUSÀÇ Ç³ºÎÇÑ Ãâ·Â
¡á 2 °èÅëÀÇ ¸ÖƼ ÀÌÆåÅÍ¿¡´Â SPX ÇÁ·Î¼¼¼¸¦ Ç¥ÁØ ³»Àå
¡á ÅäÅ© ¹é ÀÎDz¿¡ °¡¼¼ÇÑ MONO OUT¿¡´Â LPF¸¦ °®Ãã
MG24/14FX MG32/14FX
Total Harmonic Distortion Less than 0.1% (THD+N)
20Hz ¤Ô¤¹¤Í¤¬ 20kHz @ +14dB 600 ¦¸ (ST OUT)
Frequency Response 0 +1, -3dB
20Hz ¤Ô¤¹¤Í¤¬ 20kHz @ +4dB 600 ¦¸ (ST OUT)
Input Hum & Noise *1 -128dB
20Hz ¤Ô¤¹¤Í¤¬ 20kHz, Rs=150 ohms, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60dB
Crosstalk -70dB @ 1kHz
CH Input Mic 16+1 (Input A 1 ¤Ô¤¹¤Í¤¬ 16, Talk Back: XLR) 24+1 (Input A 1 ¤Ô¤¹¤Í¤¬ 24, Talk Back: XLR)
Line 16 (Input B 1 ¤Ô¤¹¤Í¤¬ 16: TRS) 24 (Input B 1 ¤Ô¤¹¤Í¤¬ 24: TRS)
Stereo 2 (Ch 17 ¤Ô¤¹¤Í¤¬ 18, 19 ¤Ô¤¹¤Í¤¬ 20:TRS) * Ch17, 19:L(MONO) 2 (Ch 25 ¤Ô¤¹¤Í¤¬ 26, 27 ¤Ô¤¹¤Í¤¬ 28:TRS) * Ch25, 27:L(MONO)
2 (Ch 21 ¤Ô¤¹¤Í¤¬ 22, 23 ¤Ô¤¹¤Í¤¬ 24: TRS/RCA) 2 (Ch 29 ¤Ô¤¹¤Í¤¬ 30, 31 ¤Ô¤¹¤Í¤¬ 32: TRS/RCA)
Insert I/O 16 (Ch 1 ¤Ô¤¹¤Í¤¬ 16: TRS T:Out, R:In, S:Gnd) 24 (Ch 1 ¤Ô¤¹¤Í¤¬ 24: TRS T:Out, R:In, S:Gnd)
AUX Send 6 (1 ¤Ô¤¹¤Í¤¬ 2/Post-Pre selectable, 3 ¤Ô¤¹¤Í¤¬ 4/Post-Pre selectable, 5 ¤Ô¤¹¤Í¤¬ 6/Post: TRS)
Return 2 Stereo Sub In (L/MONO, R: TRS)
EFFECT Send 2 (1, 2: TRS)
2TR In 1 Stereo (L, R: RCA)
STEREO Insert 1 Stereo (L, R: TRS)
GROUP Insert 4 (1 ¤Ô¤¹¤Í¤¬ 4: TRS)
REC Out 1 Stereo (L, R: RCA)
ST Out 1 Stereo (L, R: XLR)
MONO Out 1 (XLR)
ST SUB Out 1 Stereo (L, R: TRS)
GROUP Out 4 (1 ¤Ô¤¹¤Í¤¬ 4: TRS)
Phones 1 (TRS Stereo)
Phantom Power + 48 V
CH & ST Ch Input Gain Control 44 dB valiable
CH & ST High Pass Filter 80 Hz 12 dB/Octave
CH EQ (MONO) *2 High 10 kHz (Shelving)
¡À15 dB (Max.) Mid 0.25-5 kHz (Peaking)
¡¡ Low 100 Hz (Shelving)
CH EQ (STEREO) *2 High 10 kHz (Shelving)
¡À15 dB (Max.) Hi-Mid 3 kHz (Peaking)
¡¡ Low-Mid 800 Hz (Peaking)
¡¡ Low 100 Hz (Shelving)
MONO Out Low Pass Filter 80 ¤Ô¤¹¤Í¤¬ 120 Hz 12dB/octave
Internal Digital Effect SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)
Dimensions Width 852 mm 1060 mm
Depth 540 mm 540 mm
Height 150 mm 150 mm
Weight 21 kg 24 kg
Power Requirements UL/CSA: 60 W 120 V/60 Hz UL/CSA: 75 W 120 V/60 Hz
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